Creative destruction – a path into the heart of an artist’s choice. Unlike Joseph Schumpeter’s definition of revolutionizing an economic structure by destroying the old to make way for the new, my definition is more one of laying to rest naggy, creative forces of other ideas so that the artist can give birth to the one currently pushing through her artistic loins.
Once an artist makes the decision to put her passion toward a specific project: a painter chooses a subject to paint and puts brush to canvas; a writer commits to “Once upon a time…” when she finds a character steeped in longing to obtain a goal; a composer hears the strains of a theme playing in her head and scratches the initial note in the first measure – that decision leads to the destruction of all other ideas. For that moment, which may extend into maybe months or even years, other ideas are laid to rest, destroyed if you will, until brought to life again when raised from a once forgotten grave.
So when I chose my twisted little story about a woman, (I’ll call her “Searcher,” though her name only appears in the script,) who becomes emotionally and sexually enthralled with a couch, I lovingly destroyed other ideas banging around in my head in order to see that this one would live.
The theme of this idea is obsession consumes.
To bring this baby to life took a crew of over twenty people, each very talented in their part of the puzzle. Each member of the cast and crew committed their own creative destruction in order to free themselves (emotionally and physically) to work on the film.
I am writing this as we slog through the post production phase, but looking back at the first day of shooting, I remember the crewing roaring up to the set to begin the adventure of finding our ways into the hearts of the characters and ultimately into the heart of the audience. Creative destruction at work!